David Beames

Most Popular David Beames Trailers

Total trailers found: 11

Radio On Trailer (1979)

30 November 1979

A London radio DJ receives news of his brother's suicide and travels west to Bristol to find out more.

The Ice House Trailer (1978)

24 December 1978

After his wife leaves him, Paul seeks solace at a sophisticated health spa run by a pair of sinister siblings.

Didn't You Kill My Brother? Trailer (1988)

19 March 1988

Carl Moss leaves jail,where he has taken the rap for his evil twin Sterling,and has been declared a model prisoner.

McVicar Trailer (1980)

01 August 1980

John McVicar was a London Bad Boy. he graduated to armed bank robbery and was Britain's "Public Enemy No.

Dark Water Trailer (1980)

01 January 1980

In order to enjoy a romantic private swim together, Jo and Eddie hide when their local swimming pool is closing for the evening.

Miss Marple: 4.50 from Paddington Trailer (1987)

25 February 1987

Travelling on the 4.50 from Paddington, Mrs McGillicuddy witnesses a murder on a passing train - but where is the body?

Submariners Trailer (1983)

01 November 1983

Play by Tom McClenaghan, about a routine patrol in the submarine HMS Superior. Strange, near-farcical take on tensions, eccentricities and sexuality among the crew of a Polaris submarine, on a six-week tour of duty off the coast of Faslane in Scotland.

Judgement Day Trailer (1983)

02 August 1983

A female prosecuting solicitor has the toughest of jobs on her hands when she has to take over from a male whose conduct is less than professional.

Giro City Trailer (1982)

01 November 1982

Welsh investigative journalists set out to cover the Troubles in Northern Ireland only to unearth censorship and corruption back home.

Reasonable Force Trailer (1988)

27 March 1988

In times of civil unrest, crack police units like Inspector Maclntyre 's get the job of keeping order on the streets.

Taming of the Shrew Trailer (2013)

02 September 2013

Shakespeare’s most outrageous comedy, The Taming of the Shrew introduces one of theatre’s great screwball double-acts, a couple hell-bent on confusing and outwitting each other right up to the play’s equivocal and controversial conclusion.