Julian Beck Trailers
Poltergeist II: The Other Side TrailerNine 1/2 Weeks TrailerAll Star Video Trailer
Poltergeist II: The Other Side TrailerNine 1/2 Weeks TrailerAll Star Video Trailer
Total trailers found: 22
09 February 1986
An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man.
14 December 1984
Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
09 September 1968
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.
23 May 1986
The Freeling family move in with Diane's mother in an effort to escape the trauma and aftermath of Carol Anne's abduction by the Beast.
07 September 1967
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed.
17 December 1968
A high school girl encounters a variety of kookie characters and humorous sexual situations while searching for the meaning of life.
01 October 1983
Signals Through the Flames is at once a history and a celebration of the Living Theatre. Founded in the late 1940s by husband-and-wife performers Julian Beck and Judith Malina, the Living Theatre was for many years the predominent American outlet for the avant-garde movement.
21 March 1970
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast.
01 January 1967
Series of three short 'Pop Films' directed between 1966 - 67 for French television by Philippe Garrel.
21 January 1985
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
09 September 1969
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco.
03 July 1978
During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P.
01 January 1965
Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing.
01 January 1966
The title Amore amore ( Love Love) defines the primary emotive motor of the film and constitutes the filter through which are selected the materials used - people, things, signs - and determines a good portion of the associations though which the sequences unwind.
01 January 1967
Images of the life of the Living, the material that composes it was originally shot for the film: "The Unconscious Rebels".
02 July 1976
Best known for his roles in Belle de jour, Sweet Movie, and many more, Pierre Clementi was also the architect behind a transgressive, high-minded, and disorienting cinema.
01 August 1981
“New York plays itself, as Taylor Mead and Winifred Bryan regale in pas de deux among the trashcans and the towers.
23 January 1969
A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant.
29 May 1969
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash.
15 November 1967
In this film, as in all my previous ones, there is a direct connection between inner urges and cinematic rendering.
25 April 1958
A film poem, a re-telling of the Greek myth in modern terms. In the traditional pool the water has become muddy and Narcissus finds that mirrors are more rewarding for the study of his changing reflections.